Vogue 9100 Dress

I’m slowly picking through the wayward pattern pile, and the envelope to Vogue 9100 caused me to remember, why yes, I did make that dress something last year.

Yes, that’s the view from my back yard.  It’s ridiculously pretty.

This is made with a cotton/lycra sateen from Jo-Ann’s bought at some point in the past that I’m too lazy to bother looking up.  I posted earlier in this blog’s life about wanting to use this pattern to recreate an old dress that I had loved but shrunk out of.  The pattern calls for gathering the skirt, but I changed it into three large pleats that line up with the bodice seams and the centerline of the garment.  So far, so good, right?

Yeah, no.

I ended up disliking this dress, only worn a couple of times, and a year in the closet has only solidified my initial impression.  The sateen turned out to be a lighter weight than the original dress and so it feels more insubstantial through the skirt, plus the pleats press mediocrely.  The waist seam hits just enough too low to throw off the entire feel of the garment and while fitted through the waist, it’s too big in the bodice, which makes me feel dumpy.  It’s a sundress! If it feels dumpy than I’m doing it wrong.

Back view.

The back is almost okay, but note the bra strap that is playing peekaboo on the right.  We’ll be coming back to that.

Side view

The side view makes me cry a little inside.  The front hem is higher on my body than the back hem.  I can’t even blame it on the mild slope of the yard because all of my garments tend to show the side seam swinging forward and if you look through the busy print, that seam line ends up at the front of my knee.  Waist seams also do this on me so I need to be more aggressive in taking out back length above the waist and I’m hoping that if I fix it above the waist that it eliminates it at the hem.  Speaking of hems, I did this one as a 1/4 rolled hem.  I don’t love it.  Then again, I’m not sure that the hem is the least of my problems with this dress.

Oh, both bra straps now, yay!

One thing that was never right from the moment I first tried it on for fitting was the angle of the strap.  The side back piece extends up to meet the side front piece at the shoulder.  The shoulder seam for me is an inch too far back and this was after making the entire strap shorter.  The side of the strap closer to center back lies flat on my body.  The side closer to my arm likes to make a weird fold that I have never had happen before.  This is not the first time I’ve made a bodice like this, but it’s the first time that the strap has looked like this.  I could possibly permit this flaw as it is where I cannot see it except for the mess that is the front bodice.

That smile is me resolving to get the dress and its attendant pattern out of my life.

This neckline doesn’t work.  At all.  I can obviously park the shoulder straps over my bra straps, but this is where they want to be.  Drifting out to the far edges of my shoulders so I can spend all day worrying about them, or putting a jacket on so no one can see that it looks like I’ve failed to double check myself in the mirror.  I wish I could remember what pattern alterations I did for this project because they weren’t good enough, but I guess I have new things to check for with future makes.

I hesitate to call this a crummy pattern, but in the end, I couldn’t make it work for me.  The seaming though the bodice let me get a smooth fit through the bust, but the shoulder straps are just too wide for my frame and I didn’t catch that in the flat pattern stage.  Converting gathers to pleats was simple, so I’ll definitely try it again in trying to make my perfect warm weather dress.  Alas, this dress is not it.


Coffee and cross-stitch

My real life and my fantasy life have collided today.  After putting the kids on the school bus, I made some French press coffee, decided it would be fun to put in the wedding china, and sat down to my cross-stitch project for the day. Not every day goes like this; but the ones that do, I am grateful for.


I never want to knit socks again, but I still have sock yarn in my stash

Not going to lie here- I find no joy in knitting socks.  I have a drawer full of manufactured wool socks that do the job fabulously, so I can’t even say that the final product is worth it to me.  I am very much a product knitter, not a process one.  These are the eight stitch per inch base pattern from Ann Budd, knit top down.  I used a eye of partridge pattern for the heel flap, which I finally got the hang of halfway through sock two.  I still don’t love tonal yarn knit up, though it is so gorgeous in the skein, which is how I get seduced into buying it in the first place.  The yarn is Squoosh Yarn’s Sock yarn, which is apparently discontinued, in the colorway Depth.  The skein was labeled at 100g, but was actually 106g when I started and I only used 60g to make these.  The yarn was okay enough, but I don’t know that it was worth the price as I honestly didn’t love knitting with it as it was had a tendency to split on all of the decreases, so I don’t know if that bodes well for making anything else with the remaining 45g that are left in stash.

According to Ravelry, I started this project in December 2014, so I guess sometime by 2020 I may have another pair of socks to share here.  I have two small 50g skeins from Bergere de France to try two at time toe up socks.  Maybe that will change how I feel about knitting socks.

McCall 6878 Girl’s Dress

I may not have had a new dress for Easter this year, but my daughter certainly did.  It all started with a shopping trip that yielded outfits for my sons for this past Sunday, but nothing that fit my daughter well.  Even worse, all of the dresses she liked were in the toddler section because they get satins and tulles and all of the fun things in life.  The girl’s section on the other hand was a wasteland of garish prints and textured knit dresses.  Being that it was spring break, I offered to take her fabric shopping and make a dress that fit.

Cause we had important places to be, y’all

The fabric she picked was a matte satin from Jo-Ann’s Casa collection in the color Georgia Peach with a lace overlay from same fabric collection in the color Peach Melba.  The plus side to using up fabric immediately instead of aging it in the stash is remembering things like that.  Her inspiration dress had an interesting texture, so when she wouldn’t leave the lace alone, I offered to use it as an overlay.  I don’t know what possessed me to offer because I’ve NEVER worked with lace before.  I bought everything on Monday, so it’s not like I had a huge amount of time to work with either considering it had to be completely done by bedtime Saturday night.  Then we went through the books.  The dress she liked at the store had three inverted pleats down the front and a jewel neckline.  There were not a lot of options that had any pleats, so I was going to use a Simplicity pattern with the right neckline, but they didn’t have it in her size.  Or what I thought was her size at any rate.  So she agreed to the square neckline of the McCall’s and we were in business.

Measuring her, she is a size seven, but with the chest measurement of the size six, so I cut a straight size seven to start.  Um, my daughter is ten and a half and apparently is tiny.  I used view B, where the hem hits 35 1/2 inches below the base of the neck, so I had no worries that it would be too short, which the only reason she outgrows store bought clothing because otherwise she still fits okay in size 7 clothes from Kohl’s.  I cut the lace on the cross grain and then she decided she wanted the scalloped edges to be the hemline.  Because I clearly was begging to take on more work for this, right?  The first time she tried on the dress, it fell down to her waist.  The shoulder straps were way too wide for her frame and the dress gaped through the entire bodice.  I ended up taking 3 inches out of the front by deepening the pleats and another 2 inches from the back, which happily brought the shoulder straps up off of her arms.  The sleeves are self lined and then sewn to the bodice last per the instructions, which would have been way too messy for my tastes, so I didn’t do that.

I still haven’t threaded up the serger, so I got acquainted with my machine’s overcasting foot for the first time ever

No, I was slipstitching that lining down at 10pm Saturday night.  What was I thinking?  I hate slipstitching with the fire of a thousand suns.  It took three failed attempts before I figured out how to keep it from shifting in relation to outer fabric, but I finally found the right pinning strategy to make it work.  Oh, note on the sleeves- I hate when set in sleeve patterns have two inches of sleeve cap length to ease in, but when it’s like that on a kid’s sized armescye, that’s true levels of pain.  This fabric did not want to ease one bit, but I was mostly able to make it work.  The few spots that were less than perfect, the lace hid it well enough that I was willing to let it go.  But really, I loathe the excessive sleeve cap ease that most patterns draft for.

Lace hem

In sewing the dress, I kept the lace sewn in with the satin through the bodice, but wanted it to hang freely though the skirt.  So for the three vertical seams, side and center back, I used French seams to keep the lace tidy.  Then I pinned the cut selvage from the lace to even it with the dress hem, which I did first, and stitched it down.  I started so diligently with hand needle and thread but realized that you could still see the stitching and I wanted to eat dinner that night, so I machine stitched the top scallop down and trimmed away the excess.  I think it looks good enough considering I didn’t cut for this and would have had difficulty because the bottom edge of the pattern pieces were curved.

This would be a sweet ride

She is very happy with how her dress turned out, and it was fabulous for today’s White House Easter Egg Roll.  My husband managed to get tickets from work, so we spent the afternoon on the South Lawn of the White House.  I’m not normally one for hard boiled eggs, but the Egg Pops (hard boiled eggs on a stick) were fantastic.  It was a really neat experience, and I’m glad that my kids got to go.

I did finish a garment in 2016!

My closet made a liar of me.  I said in one of my last posts that I didn’t complete any projects in 2016 and then I went hunting through my closet to get dressed for Easter mass.  I found this dress I made from some forgotten Simplicity pattern last year right before I went on crafting hiatus.

Pardon the wrinkles, I had been wearing this all morning by the time I got to pictures

It’s a simple unlined design with shoulder princess seams in the front, darts in the back, and a kick pleat.  I, being clever, decided to line it, which is why I haven’t worn it since making it.  I messed up the length of the lining to the dress, so every time I tried to get the lining attached at the pleat, everything would distort and the skirt turned into a wreck.  So to make it wearable this morning, I edge-stitched the underlying part of the pleat, sewed the little diagonal line holding everything together, and trusted the lining to stay out of sight, which it did.  The construction is nothing special, but since the pattern used facings, I cut those from the fashion fabric and stitched them flat to the lining.  I do like that there is no way to see the gray lining at either the neck or armholes.

I could let those back darts out just the tiniest bit, which would fix the back waist wrinkling, I think

From a fitting standpoint, I’m pretty happy with the back of the dress, but less so with the front.  The neckline is straight, and my neck sits forward, and I haven’t cracked how to make it lay nicely on my body.  I remember that I made an adjustment for a hollow chest, but I still have too much fabric pooling above the bustline below my collarbone.  On a positive note, I rotated the neckline dart that I needed into the existing dart on the pattern, giving me a smooth upper back. The side seam pulls forward starting around my waist, which several of my skirts do as well, so one more fitting challenge to correct.

All of my side pictures feel like I’m posing for a series on posture. Mine is bad, the end. But the upper back is rockstar!

The fabric is from an unmarked bolt I found at my local Hancock’s right before it went into liquidation in February of last year (it was one of the chopping block stores before the whole chain went into bankruptcy). It ironed fine on a low heat setting; and it has a really neat hand in person, reminiscent of a napped fabric, but with no nap. I liked it and was sad to never discover exactly what it was because there was a grey bolt in the store that day (also unmarked, alas). When I went back three weeks later to buy it, I ended up in a three days-until-closing-forever store, which was depressing as snot and didn’t have the fabric to boot. Oh well, at least I have this pretty piece to liven up my church wardrobe.

Moving has taught me something

I have too much stuff.  I know that I have stated this before, more times than I have needed to, but in unpacking boxes and getting my sewing space reestablished, I am over it.  I don’t want to say that I have done a great job with the rest of my belongings because I haven’t, but the crafting chaos is too much.

The closed doors are hiding a bunch of fabric- my intent is to winnow down my fabric until it all can be stored in these

We moved to an area with an IKEA, so I have two new Billy bookcases with the doors to contain the stuff I use.  I like that part so far.  The upper shelves have some knitting supplies and my cross-stitch stash, and I like having all of my different interests sharing space.  Here’s the big however, I have five boxes of random sewing stuff that are not unpacked because I have no idea where to put things.  This is separate from the 8 book size boxes of fabric.  Yikes!

Everything about this box makes me sad, including the fact it blocks access to the stool I sit on to sew

This all became clear to me when I started working on my daughter’s Easter dress this week.  Because I don’t even know where most of my pattern stash is, we went to Jo-Ann and pawed through the books looking for something resembling the dress she fell in love with at the store that was too small to buy.  Yes, this means we bought a single McCall’s pattern for the “full” (everyday 40% discount) price.  Then we went through the store, picked out the fabric, and got the zipper and took it home and I started from scratch.  And because the fabric has not been hanging around for years, I don’t have any ridiculous emotions attached to it, making it easier to cut away and dive into to getting this done.  The Selfish Seamstress years ago had a post showing the 1950s housewife sitting down with her Singer and material in a living room to create some confection on a random afternoon, and that looked fun.  Me, I have a stash problem out the wazoo and so I rarely just sit down and create.  But this project where I ended up starting from scratch (I even had to source thread because I don’t know where most of mine is) has been one of the most fun things I’ve worked on in years.  There’s a lesson in here for me, and maybe I’ll even figure out what it is one of these days 😉

Hello again, neglected blog…

It has been so long since I last posted that I am totally unfamiliar with any of the new WordPress interfaces. Anyway, I didn’t intend to take such a long break from blogging, but I have had zero finished objects to speak of for the past year. Not in sewing, knitting, or cross stitching. It’s embarrassing. Moving didn’t help either, as I still don’t know where half the thread is, my pins, nor several presser feet. Nonetheless, my daughter wants a new dress, so a new dress she shall have!